Thursday, June 19, 2008

Megan Good Hair Stylist



only by mere chance, this weekend saw two movies discĂ­miles topics but identical in style. A new way of making films is presented to us unexpectedly, and perhaps in the future will sweep away the old concepts.
speak of "witness camera", "subjective", "camera in hand." This new resource was used as releases "The Diary of the Dead" (George A. Romero ) and Cloverfield ( JJ Abrams), which were filmed from the point of view of one of the characters, capturing a reality created (because what we see is no less fictional) and the manner of a documentary. This takes us back to history as "The Blairwitch project, which at that time, in my case, I had such a trained eye to find her sexy side. Thus we see that this way of filming is not new, but now finds its peak.
"Diary of the Dead brings a" real "story told by a group of film students, where the zombies come alive again become the protagonists. It's more of the same, but the only difference being that the dead come to life not by a plague or a laboratory experiment, but for some inexplicable reason that it becomes apparent, ie the film is open ended.
Cloverfield, however, is about a monster with the "Godzilla" has come to town for destroy completely. The people panic, evacuate their homes, police dealing with the mess and everything is there. That is the hallmark of both productions, tragedies and deaths in vain but without a specific end, and hinting that the idea is to "document for those who can see the tape after the event, anyone else."
Is this type of film has entered the film market for any particular reason? Is it just fill their pockets by using a new style that attracts and captivates the audience more, or do they try to really reach people and that it is contagious and make your own tapes?.
When confronted with the karma of society (the daily violence, poverty, inequality, natural tragedies, etc.), each decides to "portray" and capture the moment in which we live, as if was a quince. The films that have their role: no matter what he should stick with your camera and do not stop shooting. Do not loose your camcorder to help, only acts as a witness absent with a cold eye. In this type of fimaciones journalistic style, personality is much appreciated by its director, the way they are expressed, how they think, their panting and breathing. Therefore, do not think the event itself is the main character, but so is its "Registrar" because it is steeped in history and in every situation, and live like all the other characters.
It's amazing how one is left perplexed and hypnotized by the images shown, not the film that looks, but by their plans and sketches, and the contribution made by those who create them. The same cameraman (amateur or not) we are thrilled and excited with the rawness of his shots, the simplicity of his style, with involuntary movements sometimes dizzying, with your breathing, when the camera is perfectly adapted to each step da. It's an interesting resource to use, if not abused it, and no better or worse than the traditional, but it is different.





http://www.cloverfieldmovie.com/


http://es.wikipedia.org/wiki/Cloverfield


http://www.abandomoviez.net/db/pelicula.php?film=4637


http://www.aullidos.com/pelicula.asp?id_pelicula=1079

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